The international lacquer art exhibition of the wo

"Lacquer world - Yuanliu international lacquer art exhibition" was held in Wuhan

"lacquer world - Yuanliu international lacquer art exhibition" was held in Wuhan

September 29, 2013

[China paint information] "lacquer world - Yuanliu International lacquer art exhibition", which was held here in Hubei Art Museum on the 28th, and nearly 300 lacquer works from 88 painters from Japan, South Korea, France, the United States, Vietnam and other countries were exhibited

we can see that the modern lacquer works on display are made of a variety of materials. Zou Chuan pushed the work "pig shaped box" between the next clamping device, which is composed of walnut wood and lacquer; Tanaka Shingo's work "etched memory" is composed of lacquer and linen; Xie Chengshui's work "bodiless lacquer Reclining Buddha statue" is a combination of lacquer and ramie; Sheguohua's work "expansion - definition 3" is made of natural lacquer, mother of Pearl and hemp silk. The combination of ancient lacquer and modern art forms forms forms a unique glossy texture and Zen atmosphere

3. Click to rise to raise the piston (workbench or upper beam) by 5 10mm

in sharp contrast to its shape, there are a number of ancient lacquerware in the yuan, Ming and Qing Dynasties, including Zhu Qi wooden chairs in the Ming Dynasty, mahogany lacquered tea plates inlaid with mother of pearl in the Qing Dynasty, Zhu Qi painted landscape figures in the Qing Dynasty, black lacquer South hat chairs in the Ming Dynasty, etc., which are antique. Lacquerware is a divine imitation of the creatures of nature, ranging from deer and tigers to snakes and frogs, showing the ancient artists' praise for the harmony of all things in nature

fuzhongwang, director of Hubei Art Museum, believes that modern society has a new understanding of lacquer art, and there is great room for expansion in the fields of modeling, schema, materials, techniques and so on. "The international lacquer art exhibition starts from the restoration of lacquer mother tongue, combs the context of the history of the Qing Dynasty, and shows the past and present lives of lacquer art." Fu Zhongwang said

lacquer, also known as natural lacquer, is the juice cut from lacquer tree. Hemudu vermilion lacquered wooden bowl, the earliest lacquered product found in China, has a history of 7000 years. More than 2000 years ago, Chu lacquer ware was the peak of lacquer art development. The essence of the lacquerware painting technology, bodiless lacquerware technology, drum stacking and gold painting technology of the state of Chu made China's lacquerware production technology reach its peak, and spread to Asia and Europe and other countries, becoming one of the symbols of Chinese culture adopting a double space structure